Music, The Brain, And Ecstasy: How Music Captures Our Imagination By Robert Jourdain

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Music, The Brain, And Ecstasy: How Music Captures Our Imagination
 By Robert Jourdain

Music, The Brain, And Ecstasy: How Music Captures Our Imagination By Robert Jourdain


Music, The Brain, And Ecstasy: How Music Captures Our Imagination
 By Robert Jourdain


Download PDF Music, The Brain, And Ecstasy: How Music Captures Our Imagination By Robert Jourdain

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Music, The Brain, And Ecstasy: How Music Captures Our Imagination
 By Robert Jourdain

  • Sales Rank: #212012 in Books
  • Published on: 2008-04-01
  • Original language: English
  • Number of items: 1
  • Dimensions: 8.00" h x .90" w x 5.25" l, .66 pounds
  • Binding: Paperback
  • 377 pages

Amazon.com Review
What is music? How and why does it affect us? What is the nature of musical genius? Author/composer Robert Jourdain explores these and other questions, from the essential nature of sound through composition, performance, and, finally, the nature of ecstasy. His prose is eminently readable, offering a very accessible account of a difficult subject to the general reader as well as to the musical sophisticate. This is a fascinating and intriguing book, written by someone who clearly knows his subject.

From Publishers Weekly
Synthesizing recent research from the burgeoning science of musical psychoacoustics, Jourdain, a California musician, provides a richly informative, exuberant, wonderfully accessible introduction to how we perceive and experience music. Choosing examples eclectically, from Henry Mancini's "The Pink Panther" to Mozart, Stravinsky and Duke Ellington, he explores how, when we compose, perform or listen to music, the brain assembles musical devices, patterns and harmonies into vast, meaningful hierarchies of sound. He also offers tantalizing if inevitably unsatisfying answers to such age-old enigmas as what makes a great melody or how music elicits emotions and gives pleasure. Requiring no prior musical or scientific knowledge, this survey is sprinkled with interesting historical anecdotes (Beethoven was an early victim of metronome mania; Aaron Copland hit upon the title Appalachian Spring only after he had finished composing his tone poem) as well as seldom-appreciated facts. We learn, for instance, that musical dissonance and consonance have a neurological basis, in the inner ear's structure. Jourdain writes with verve, infectious enthusiasm and rare insight into music's emotive power.
Copyright 1996 Reed Business Information, Inc.

From Library Journal
Jourdain, a pianist, composer, and researcher on artificial intelligence, investigates music from its most fundamental biological basis to the psychology of composing and performing, ending with speculation on music's future possibilities. While trained musicians will be especially fascinated with the chapters on musical education, the virtuoso, and the amateur, Jourdain succeeds in making this work understandable for those without specialized knowledge. Though written music surfaces in the form of Henry Mancini's sprightly theme from The Pink Panther as an illustration of various concepts, readers who don't read music will probably still follow the examples without difficulty. The author's presentation combines the thoughts of many previous writers in a wide variety of fields with the results of recent research, enriched with his own insights on popular, classical, and non-Western music. A thought-provoking work for music teachers, serious music students, and others with an interest in what music is and where it might be going.?James E. Ross, WLN, Seattle
Copyright 1997 Reed Business Information, Inc.

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Music, The Brain, And Ecstasy: How Music Captures Our Imagination By Robert Jourdain


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