PDF Ebook Comedy Writing for Late-Night TV: How to Write Monologue Jokes, Desk Pieces, Sketches, Parodies, Audience Pieces, Remotes, and Other Short-Form Comedy, by Joe Toplyn
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Comedy Writing for Late-Night TV: How to Write Monologue Jokes, Desk Pieces, Sketches, Parodies, Audience Pieces, Remotes, and Other Short-Form Comedy, by Joe Toplyn
PDF Ebook Comedy Writing for Late-Night TV: How to Write Monologue Jokes, Desk Pieces, Sketches, Parodies, Audience Pieces, Remotes, and Other Short-Form Comedy, by Joe Toplyn
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He has written and produced comedy/talk shows for over fifteen years. Now four-time Emmy winner Joe Toplyn reveals his proven methods of writing for late-night television in this one-of-a-kind insider’s guide. Toplyn analyzes each type of comedy piece in the late-night TV playbook and takes you step-by-step through the process of writing it. His detailed tips, techniques, and rules include: • 6 characteristics every good monologue joke topic must have • 6 specific ways to generate punch lines • 12 tools for making your jokes their funniest • 7 types of desk pieces and how to create them • 9 steps to writing parodies and other sketches • How to go after a writing job in late night • PLUS a complete sample comedy/talk show submission packet Also use this comprehensive manual to write short-form comedy for the Internet, sketch shows, magazines, reality shows, radio, advertising, and any other medium.
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Product details
Paperback: 444 pages
Publisher: Twenty Lane Media, LLC; 1 edition (May 5, 2014)
Language: English
ISBN-10: 0615953891
ISBN-13: 978-0615953892
Product Dimensions:
6 x 1 x 9 inches
Shipping Weight: 1.6 pounds (View shipping rates and policies)
Average Customer Review:
4.9 out of 5 stars
88 customer reviews
Amazon Best Sellers Rank:
#78,795 in Books (See Top 100 in Books)
I don’t believe you can learn to be funny. What you can learn, however, are methods to structure your funny. And that’s exactly what you learn from this book. So far I have only read as far as the chapter on monologue joke writing, but that’s because I am in post production on an indie feature I wrote and produced last year. And I wanted to write an original sitcom pilot I'd been meaning to write for a while. Oh, and I'm a stay at home dad to two kids. No biggie. But more about my film in a minute. Anyway, that chapter blew my head clean off with its clarity. I read it in bed, and I woke me wife up with my enthusiasm as I tried to explain my huge paradigm shift, but all she said was “that’s niceâ€.I have read 13 books and I have done 2 courses on stand-up comedy and comedy writing. I don’t think this puts me at a disadvantage with doing comedy, as some comedians think. I have worked as a stand-up, an MC, a sketch comedy writer and performer, and a joke writer. And been paid. I think you do what you can to model what has worked before.But the problem with a lot of books is they try to cover too much ground. They want to show you how to write jokes, monologues, stand-up, sketch, solo shows, sitcoms, and screenplays. There’s no way one 300 page book can cover all those. The best ones just focus on one area. That’s exactly what this book does.The section on monologue joke writing was the clearest explanation I have ever read. Typically, in other books that cover this, you get lessons on how to pick topics, generate ideas, but then you have figure out how to structure them yourself. You get something like “the punchline is your own reactionâ€. Huh? I have to make a sarcastic comment on what I’ve written. But not all comedy’s sarcastic, so then what do I do? Other times, the advice you follow allows you to write a joke for a comedian in 1983. But not now. This book explains how to write contemporary comedy.Also, you won’t learn exercises that exist by themselves as some comedy writing books have you do. These often leave you scratching your head as you try to figure out how to turn them into comedy material. With Joe’s book, you learn how to write usable comedy material from the get go.Yes, you will learn the formulas regularly used by late night comedy writers. They are used because of the sheer amount of work involved. You may also think, “this guy wrote for Leno? Urgh, Leno’s not funny.†You may substitute Letterman for Leno in that sentence depending on your preference. But you know, whatever you think of those guys and their late night perspectives remember in order to work as a writer on those shows, you have to be able to pump out 70-150 jokes (sometimes more) a day. A day.Some stand-ups write a couple of jokes a day for a year and have an hour long show at the end of it. And if that’s your goal, then great. But that many jokes will get you fired from your late night position.While volume may seem like a negative, the more you practice the lessons learned in this book, the more your quality level will increase.If you want to learn stand-up comedy writing, comedy screenplays, solo shows, or sitcom writing Joe’s book isn’t for you. Sure, the mechanics of laughter are the same, but with those different genres I just mentioned there are other things you need to learn.You will learn every facet of producing material for late-night, which not only includes monologue jokes, desk pieces, etc but sketch comedy too. So if sketch comedy is your thing, then you can certainly learn a lot about how to write sketch comedy from this masterful book.I mentioned earlier about being in post-production on my first screenplay. While I wrote that script before I bought Joe’s book, the techniques I have learned so far and will learn once I finish the book will help me on my next screenplay. The skills you learn are absolutely transferable, whether stand-up comedy is your ultimate goal or screenplays. The skills from this book can help you edit and hone your comedy in both stand-up and script writing.In case you’re wondering, I do not know Joe and I gain nothing from writing this lengthy testimonial. I refer to him by first name, because of the experience I have had in reading this book so far. It has made me feel like I am getting a personal tutorial. So I feel I can refer to him by his first name, even though I have never met him.Buy this book. More importantly, read and implement its lessons.
I've read several books and taken a few classes about writing comedy and no one breaks it down better than Joe Toplyn. From the section about what constitutes a joke and why people laugh, to the descriptions of different types of late night segments and finally the step by step instruction on how to put together and submit a writing packet, this book is an extremely useful tool for getting ahead in comedy. In addition, Joe's 15+ years of experience writing for Leno, Letterman and several other luminaries in the comedy world allows him to share numerous anecdotes that are both very funny and informative. Anyone with an interest in how a Late Night Comedy show operates will enjoy this book. I actually lent it to a friend of mine who has no interest in writing jokes, and he read it cover to cover just to get the inside scoop on his favorite Late Night shows.Do not let the title make you think that this book is only for writing for Late Night TV, this book is full of universal techniques for crafting and improving jokes. Many comedy writing books are all about self referential comedy, teaching only about how to find the humor in one's own life. This book, coming from a more topical perspective, helps to find humor in the world around you. That unique trait makes this book stand alone in the field of comedy writing instruction. Whether you are a comedy rookie or a more experienced joke teller, Joe has something to offer you.Plus, I've met Joe a few times and he is a hell of a nice guy which is all the more reason to want to give him your money.
And the only book to cover that booming market.It used to be only Johnny Carson.Now TV has more late-night comedy shows than shows about cake.I'm Wayne Kline and like Joe, I've worked on Letterman and In Living Color and once was lucky enough to have Joe as the co-head writer on Leno.As you might expect from a double Harvard grad, Joe knows his stuff.He explains it well.Joe gives some cool creative tips.I like his 6 "Punch Line Makers," divergent thinking strategies of use for cranking out monologues or any kind of humor. Sitcoms. Screenplays. Drunk wedding toasts.Joe also breaks down in detail that comedy parts of late night shows I lumped into the category "non-monologue."The appendix is interesting too. Joe gives his backstage take on Jay vs Dave, turning the tide with help from Hugh Grant and his back seat romance, And of course OJ Simpson. Find out the one sketch that bombed.If you want a job in late-night TV and aren't currently related by blood to a host, this is the book for you.
This book is very informative and concise. I learned a lot about comedy writing, and some of the ins and outs or writing for a late night comedy show. This book is also very helpful beyond the scope of advice and examples for late night comedy writing. I'm happy I bought this, and if you are interested in comedy writing, even if it is not for late night comedy, this book is a great aid. I'm very happy that I purchased this!!
I bought this book just to learn how the pros write monologues everyday and come up with jokes on mundane things. The chapter on monologues delivers on that. In my opinion, rest of the book is okay. It does talk about late night shows and format. However, I would've loved if there were more dissections of jokes.If Joe writes another book only on monologue jokes, I would buy it!
This is exactly the kind of book I wish I had when I was in college and learning how to write. Joe's book is incredibly useful for professional writers of all types. Even if you're not writing comedy, this book will help you improve the quality of your writing. Joe's excellent guidance applies to practically all kinds of writing assignments, and his tips are spot on. If you are a professional writer, or aspiring to become one, I recommend buying two copies of this book -- one for yourself, and one for that pesky friend who's always bugging you for advice.
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